Down the River Unto the Sea by Walter Mosley

down-the-river-unto-the-sea-by-walter-mosleyWhen I’m planning on reading a book, I tend to shy away reading other reviews prior to digging in. But one of the things I did notice about reviews of Walter Mosley’s Down the River Unto the Sea was the lack of discussion about racism. Oddly the book’s publisher leads with a quote from Booklist that mentions institutional racism. But the reviews shy away. White people, and I should know since I’m a 55-year-old white man, call racism “social issues” as it is a bit more palpable to discuss social issues rather than talk about how our place in society is propped up by racism. Let’s not deflect the blame from us white folk and call it institutional racism, it’s racism, American racism.

Mosley’s Down the River Unto the Sea is about Joe King Oliver, a disgraced New York City ex-cop and now a private investigator with an office in Brooklyn Heights. The book opens with Oliver looking out his office window onto Montague Street and he remembers when he was arrested for rape, thrown into Rikers and spent some three months in solitary. Oliver’s time at Rikers broke him as he admits later in the book, “… I remembered my cell in solitary and how my enemies had broken me, made me cower like a dog.”

While Oliver finishes up one case, another case arrives as he’s hired to prove the innocence of a cop killer, A Free Man aka Leonard Compton, a black militant journalist. Taking on the case of a convicted cop killer as a disgraced ex-cop will prove a delicate matter for Oliver. He also decides to finally look into why and who his frame.

It took a bit for the book to get going, but once it did, Mosley hit all the marks of a fantastic hard-boiled private-eye novel. What makes this novel work is Mosley’s ability to create believable characters. Oliver might have his demons – any man broken in solitary would – but his love for his daughter, though not overly played, helps him keep his moral center. Contrary to many detective novels, Oliver is proficient in technology. Quite refreshing to see a private investigator in this day and age who is not a Luddite. Mosley’s descriptions of people of color: “caramel-buttercream”, “his face a deep brown”, “features that spoke of western Africa”, etc. are interesting and expressive. I’m trying to get to an understanding of the title, “Down the River Unto the Sea”. A Google search comes up with only an old treaty with Native Americans and nothing else. I believe it may be an allusion to the freedom Oliver seeks, though I’m unsure.

But the currents that flow through Down the River Unto the Sea is racism in America. Everyday Oliver deals white people’s off-handed racism, it’s like a low-level hum always running in the background. Sometimes it gets more pronounced like when Oliver visits his grandmother in a nursing home.

“May I help you?” a good-figured blonde asked. She was standing behind the reception counter of the upscale retirement residence. I was liking her style.

In her forties and proud, she wore a green-and-pink-speckled silk blouse to accent a tight black skirt.

Some women just don’t get old.

“Joe Oliver,” I said. “I’m here to see my grandmother.”

“Does she work for one of the patients?” Blondie asked, as easy as if she were talking about the weather.

“No.” I was losing the edge of my attraction.

“Um…” She was really confused. “Does she work for the facility?”

“She’s a resident,” I said. “Brenda Naples. Room twenty-seven oh nine.”

For a moment the receptionist, whose name tag read THALIA, doubted me. But then she worked a little magic on the iPad registry.

“She is here,” Thalia said.

“Has been since before you,” I said, “and will be long after you have moved back to New Jersey.”

“I’m very sorry, Mr. Oliver.”

“Me too,” I concurred. “But maybe not for the same reason.”

But the racism is always there. It is one of the many layers of Mosley’s fine Down the River Unto the Sea, a hard-boiled private detective story filled with crooked cops, shady politicians, and the nastiest of criminals. If you’re a fan of Mosley – and you should be – grab yourself a copy of Down the River Unto the Sea. If you’re not a fan, read this book and you will be.

Amazon: AU CA UK US


Devil in a Blue Dress by Walter Mosley

One of the things I noticed when I started reading crime fiction (especially old noir books) is that the authors and the characters are very white and very male. There are femme fatales but the stories are mainly told from white man’s point of view. I knew there was a need for diversity in my reading list. Though reading Walter Mosley might have been partly a diversity pick, it was more because Mosley’s books are highly rated and respected within and outside the mystery community. But I needed to get out of my rut of reading books by white men, so, yes, diversity helped push Mosley up to the top of my To Be Read list. Nothing wrong with that, especially after reading Devil in a Blue Dress.

The first paragraph introduces us to Easy Rawlins:

I was surprised to see a white man walk into Joppy’s bar. It’s not just that he was white but he wore and off-white linen suit and shirt with a Panama straw hat and bone shoes over flashing white silk socks. His skin was smooth and pale with just a few freckles. One lick of strawberry-blond hair escaped from the band of his hat. He stopped in the doorway, filling it with his large frame, and surveyed the room with pale eyes; not the color I’d ever seen in a man’s eyes. When he looked at me I felt a thrill of fear, but that went away quickly because I was used to white people by 1948.

This sets a tone which reminds us of different black and white worlds of Los Angeles are in the late 40s. Easy, an out-of-work mechanic, is offered a job to find a woman, a white woman who frequents the black bars in Los Angeles, places that the white man normally cannot visit. Easy’s instincts have him say no, but upcoming house payments and the lack of work in the foreseeable future makes him say yes.

Devil in a Blue Dress takes us through black City of Angels with some frightening stops for Rawlins in white sections. It’s a journey through a time and place, we thought we knew. Though the backdrop of Devil in a Blue Dress is very important, the writing of Mosley and the mystery are equally enjoyable. I look forward to reading the rest of the Easy Rawlins series as well as other books by Mosley.